kinship

to belong
is a feeling–not
words over
heard in pass
ing, but a garment to wear–
it keeps you warm, this

chorus sung
by many voices–
it tells you
how to clear
your self, opening to be
come filled, become found

Sarah at dVerse shared with us once again the paintings of Fay Collins, and asked us to write to what we see in her images. I did not pick any particular landscape, but used the entirety of her work as inspiration for both my words and my watercolor, which reflect her immersion in and love of the earth.

Also linking to earthweal, where Brendan has asked us to praise what matters.

You can see the work of Fay Collins here.

Correspondences

Looking at the photo Butterfly on Asters by Lisa Smith Nelson, I’m immediately reminded of a story in Robin Wall Kimmerer’s “Braiding Sweetgrass”.  Kimmerer is asked by her college advisor why she wants to study botany.  She tells him she is hoping to learn “about why asters and goldenrod looked so beautiful together”.  Her advisor is appalled.  To him, the beauty of a field of flowers has no place in science.

I could have told her, as her artist friends later did, about complementary colors.  But I did not know, as she learned in her further studies, that the eyes of bees, like those of humans, are naturally attracted to complementary colors.  I looked up butterflies and their vision, too, is similarly color sensitive.  When asters and goldenrod grow together, they complement each other in more than color—they attract more pollinators.  Plants need pollinators to reproduce. 

The combination of purple and yellow is part of the ecosystem.

It seems that beauty is indeed a necessity for life.

which came first–
the delicate wings
or the seed?

Colleen’s Tanka Tuesday prompt this week was a photo chosen and taken by Lisa Smith Nelson, above.

Ruminations

The Oracle was philosophical this morning. Of course she was thinking about the moon, water, music, birds, trees, wind and light.

Night comes like a secret,
the moon breathing ancient air.

If I wander in deep rivers,
will the water teach me its song?

Ask birds how to behold dawn–
covering trees in poetry.

Why not listen to wind
as it seasons winter with clouds?

Who can follow light,
growing always more between?

Fireworks

you dreamed without beginning–
breath, stars, flowers
of light

you were happy to hold
hands with what was
not there

you closed your eyes and sang
from the inside, way down,
like flying,

listening to your heart beating,
rearranging the pattern
into constellations

you released what you had not
seen—you gave it away
without thinking

you dreamed with your arms open
and became entirely unafraid–
spilled over

The Kick About prompt this week referenced Flowers of Fire, late 1800s Japanese fireworks catalogues. There were pages and pages of not only beautiful abstract images, but plants, animals, people, and objects. It made me think that the artists who created these light shows were trying to project their dreams into the sky.

Visions of wishes and magical things.

As usual, the collage turned out very differently than I imagined it, but I think it captures the spirit of what I intended to do.

For dVerse, OLN, hosted by Sanaa.

Vaquita

vaquita collage left s

Once the net held all.

Land and sea
and all of its inhabitants–
each pulling its threads,
mending and reweaving
until the ripples
returned themselves
to the delicate balance
of ebb and flow.

Ghost nets they call them–
abandoned traps that
strangle and drown.

No species lives in isolation.
Deplete one and all suffer.

Poverty kills more
than just the humans
desperate to survive.

vaquita collage s

The Gulf of California, which separates the Baha Peninsula from the Mexican mainland, has one of the most diverse ecosystems on earth, with many endemic species, including the vaquita, small porpoises on the verge of extinction.

Although laws have been passed banning gillnets and the illegal harvesting of totoaba for their swim bladders, and much of the area has been designated as off limits to commercial development, there is little money or will from the Mexican government for enforcement.

The native peoples historically relied on fishing for sustenance.  The impoverishment of their lives by commercial development, overfishing, and sport fishing mean that black market exporters of the swim bladders to China will always find someone willing to risk using banned fishing methods to catch the fish.  When gillnets are used, lost, or abandoned, vaquitas get caught in them and drown.

When I first did an endangered species post on the vaquita, in 2015, there were thought to be 100 individuals left.  Today the estimates range from 30 to less than 10.  It seems unlikely that they will survive.

Laws can only do so much.  Our entire economic system needs to be rethought in ways that allow all members of all species, including our own, to live a dignified and sustainable life.

vaquita collage right s

For earthweal, where Sherry has asked us to “remember the lost ones, and the ones who will soon break our hearts by leaving.“

Hibernation

I sleep through the storms, the alarms, the sirens.  I can’t seem to leave the night behind.

Mornings do not touch me. The grey dawn moves around my body, travels somewhere else, into other rooms, other lives.

I am not lost, but I have put myself on hold.  For the time being I follow the thread that has entangled me, in parallel to where the rest of the world awaits.

Darkness knocks at every door.  The wind shivers my bones.  I am bombarded.  Yet I stand resolute at the stilled center, suspended, withdrawn.

I sojourn.  I am filled to overflowing with abiding.

When I return, winter will have receded into a different story, one already told.  A new once upon a time will erase the cold, satisfy my hunger for warmth, birdsong, greenery, light.

Then I can open my eyes.

Then I can breathe.

Merril at dVerse has provided these words from Adrienne Rich for this week’s prosery: I am bombarded yet I stand.

where deep-diving light creates a third eye

I wanted to note three recent publications, all a bit strange in the manner of many of my collages.

Two actually were collages, a couple of older ones, one based on one of Jane’s Sunday Strange Microfiction Challenges that for some reason I never posted. You can find them here, in Otoliths.

I also had a poem published in last month’s visual verse, part of the final postings of the month. Thanks to Manja, for letting me know. You can read it here. I’m number 86. Take a look at Manja’s too, number 100.

And a strange poem for a strange painting at The Ekphrastic Review, posted today, here.