Oscillations

You kept it close,
hidden deep in the forest
of your being.

Spellsounds, the rhythm
that held so much underneath–
what came before, and also
the possibility of entirety
constructed out of something
beyond thought, beyond reasoning–

It became like singing,
a chord that vibrated both
inside and out,
flowing from brain to blood–

It had no source, no need
of one—just this blanket
of aliveness, hungry
for untamed light–
glowing waves of particles
that could neither be
located or contained.

For earthweal, where Brendan asks: How else are we to sing?

I’ve spoken before about how sometimes (usually when meditating), when I’m very still, I can hear the air. I was also thinking about Heisenberg’s Uncertainty Principle. In the end, we are only, like the rest of the universe, particles and waves.

clarified

morningtide chills,
causes the moment
of wakening to linger–
scattering the vestiges
of dreaming into limbo

where am I?

hidden inside
my longing to stay
covered, warm,
release all
obligations

I shiver

wonder whether
I can reject this
habitual rising
for a protracted
pause

They turn the heat off in my building at night and it doesn’t come on again until 6 am. My alarm goes off at 5:30, and these days it’s very tempting to linger for a half hour or more.

A quadrille for dVerse, where Merril has provided the word shiver.

moondawn

The Oracle is still wandering with the moon.

I usually get up between around 6 am, and I’ve been photographing the sky out my windows, front and back, for a few months now. Last week was only the second time I’ve seen it out the kitchen window at that time.

The very next morning it was out front, to the south, as usual.

between never and spring
roots cycle thick beneath earth

listen

trees sing of always
and birds climb winter wind
into this wandering moonlit dawn

walk here

amidst the deep season
of sacred now

Portents

Colleen’s #TankaTuesday Ekphrastic prompt, a painting by John Waterhouse, reminded me very much of the paintings Jane Dougherty used to provide for her writing prompts. And so, as I did for those paintings, I created a collage response and consulted the Collage Box Oracle. A badger’s hexastitch was the result.

outside
the rules of time
matter gathers stories
of reimagined light
dreamed into the
beyond

Also linking to dVerse OLN.

Coiling

My sojourns repeat themselves, going
after relics that never existed, recapturing
the memories of ghosts. You may ask
why I continue to tolerate a hopeless
cause, finding solace in circles—

I do not know how to define existence,
or the way to measure its boundaries.
I am lost and confused by an absence
that seems to be devouring what
might have become the future.

What can I do but shelter the things
I can’t yet see inside an identity
I do not yet possess? Soon there will be
nothing left but the letting go. Until
what isn’t there becomes all that remains.

Here is the place I must abide.

For earthweal, where Brendan asks: Working for the best present, this shifting, dysynchronous, pre-apocalyptic now: That is your challenge this week. What does the landscape of this look like where you live and celebrate your being?

The Alchemist

Below my feet the path waits
for the earth to open me–
the layers of brown and green
remember the moon, its circles
orbiting continuously
through both dark and light.

The chill of morning warms
to birdsong. The seasons
endure. In spring the autumn
seems far away, but life is
always preparing to die
and start all over again.

What is the secret of transformation?–
ancestors embedded in every root,
in every branch rich with leaves
that will blaze in a sudden last glory–
nourishing what follows
with what has come before.

We know so little, after all,
of the workings of nature,
of its consciousness. Does it
even have yesterdays or tomorrows?
Does it acknowledge return, or is all
but a single endless moment in time?

We mirror our own inner maps
as stars–the dust of elements
contained in our bones–
merely vessels, seeking
the essence of who we are
inside the question itself.

The Kick About challenge this week was the alchemy book “Splendor Solis”. Out of the 22 images, I chose to work with Plate 2, The Alchemist: “Seek the Nature of the Four Elements”.

The Splendor Solis of Salomon Trismosin - 2

First I did a collage based on the painting alone (above), then, after reading a bit about its symbolism, I made my own, looser interpretation. I was especially drawn to the Alchemist’s connection to the natural world, in particular flowers and birds, and his alternate identity as the Deity of Celestial Light.