We have heard and noted your cries for help. Un fortunate ly our sovereign borders are currently closed.
We fear that we must turn away from any images of drowning, freezing, starving. They disturb our sleep.
But we are not completely heart less. We will send you our Condolences, as well as our Thoughts and Prayers.
For earthweal, where Sherry, after bringing us up to date on the flooding in her Canadian homeland, asked us to write Verse Letters: a form of address, akin to dramatic monologue, to all parties involved – letters to the lost, perhaps; to those who caused the extinction; or to those of us who are in the middle.
to belong is a feeling–not words over heard in pass ing, but a garment to wear– it keeps you warm, this
chorus sung by many voices– it tells you how to clear your self, opening to be come filled, become found
Sarah at dVerse shared with us once again the paintings of Fay Collins, and asked us to write to what we see in her images. I did not pick any particular landscape, but used the entirety of her work as inspiration for both my words and my watercolor, which reflect her immersion in and love of the earth.
Also linking to earthweal, where Brendan has asked us to praise what matters.
Looking at the photo Butterfly on Asters by Lisa Smith Nelson, I’m immediately reminded of a story in Robin Wall Kimmerer’s “Braiding Sweetgrass”. Kimmerer is asked by her college advisor why she wants to study botany. She tells him she is hoping to learn “about why asters and goldenrod looked so beautiful together”. Her advisor is appalled. To him, the beauty of a field of flowers has no place in science.
I could have told her, as her artist friends later did, about complementary colors. But I did not know, as she learned in her further studies, that the eyes of bees, like those of humans, are naturally attracted to complementary colors. I looked up butterflies and their vision, too, is similarly color sensitive. When asters and goldenrod grow together, they complement each other in more than color—they attract more pollinators. Plants need pollinators to reproduce.
The combination of purple and yellow is part of the ecosystem.
It seems that beauty is indeed a necessity for life.
which came first– the delicate wings or the seed?
Colleen’s Tanka Tuesday prompt this week was a photo chosen and taken by Lisa Smith Nelson, above.
The mask they wear repeats the same cliches, pretending to truth, embellished with lies– dismissing the facts when inconvenient. The Devil watches, laughs with them. He knows their true faces well.
The mask they wear is glued to their ethos– virtue corrupted by perpetual guile—whatever is required to keep the reigns of power—a prayer, a riot, a bargain made in Hell.
A duodora for Lisa’s prompt at dVerse, to discuss something that irritates us in the context of Halloween. I admit this goes well beyond simple irritation.
The paintings are from a series of eight I found when going through my files. They are a bit strange–I can’t remember what inspired me to do them. I was waiting for some poem that would go with them. This works.
“Listen to them, the children of the night, what music they make.” –Bram Stoker
There’s a dark path in the forest that reaches not only to the horizon but far up into the stars in the sky. The contours float, infused inside and out by an endless melody that sings chaos into shimmering pattern.
Where does the story end? Perhaps it leads to dreams that have been hidden away, to possibilities invisible in the light of day. To once upon a time that becomes here and now.
If you listen–still, silent, boundaried by the night–it’s possible to catch a glimpse of these distant voices. But only a child can find the entrance to this liminal landscape of matter, spirit, and sound.
wonder shines silvered, transcendent– opening
The Kick-About prompt this week was the quote from Dracula, above. These monoprint paintings were a response to that.
The road from Samhain to vampire costumes for Halloween travels through the pop culturization of every holiday we celebrate for commercial purposes. But that does not completely disguise its real roots in the transition from fall to winter and the crossing over that occurs between the worlds of the living and the dead.
It’s fitting that we have turned Samhain into a children’s festival–we can join in for their sake, hidden behind masks, remaining rational adults while keeping a thread tied to our ancient rites of passage.
Children are our conduit to what we are ashamed to acknowledge. They remain close to the Other Worlds–they still believe completely in magic.
For earthweal, where Sarah has asked us to think about Samhain and celebrate the places that lie between.
listen to the sound of air– filling the distance, tiny continuous hums– whispers weaving nets, forming a loose cocoon un seen, awash, present– between silences singing– distilled reflection
Brendan at earthweal this week asks us to “describe an enchanted moment”. Neither words nor images seem adequate for the sound of air, but I attempted it anyway. It doesn’t happen all the time, but sometimes when I meditate everything else fades away and I can hear the air. Most often it sounds like the image above.
But sometimes it has more clarity.
And in rare moments, it takes colors into the layers of movement.
The images were created by taking some of the art from one of my Kick-About responses to a film about light and applying Photoshop filters. I’ll get around to posting the originals at some point.