moon appears as reflection– sun mirrored into night but brighter, closer
and how far is far away?– forever, sometimes, as if never were always the answer to the question of when
third eye digs deeper, dreamclosing the distance, the interval between asleep and wings
It was cloudy when the moon was eclipsing last night, but later on it cleared into mist, and woke me up, as it is wont to do–the top photo is how it looked through my bedroom window about 3am. And above is a close up. The mist allowed me to get some detail–when it’s very clear all that shows up in photos is an intense light.
A quadrille using the word sleep for Sarah at dVerse. I’ve borrowed the dual title idea from David at The Skeptic’s Kaddish–I ran across the word avigation (it means aerial navigation) recently, and I’ve been wanting to use it for something ever since.
She thinks of summer, the beach. She remembers the full moon rising above the water and shining a path from horizon to sandy shore, like the deserted backroads of a lonely night. She wonders if those drives are only memories of dreams, condensed into something far more infinite than the actual roads she may have once traveled.
Her boundaries seem to follow her everywhere.
She remembers sitting on the deck, looking up into all the places she will never visit in this body. Her mind drifts with the rising and falling of dark waves.
What is never anyway to the ocean that rocks her, the heavens that reach out to her retrospectively from that vista imprinted on her mind? It spirals her like a galaxy, coiling her longing into stars.
trails of sparkling dust– secrets of ghost owls echo, shadowing the moon
For earthweal, where Brendan has written about wild mind, the one that needs no device to set it free.
I usually get up between around 6 am, and I’ve been photographing the sky out my windows, front and back, for a few months now. Last week was only the second time I’ve seen it out the kitchen window at that time.
The very next morning it was out front, to the south, as usual.
between never and spring roots cycle thick beneath earth
trees sing of always and birds climb winter wind into this wandering moonlit dawn
Looking at the photo Butterfly on Asters by Lisa Smith Nelson, I’m immediately reminded of a story in Robin Wall Kimmerer’s “Braiding Sweetgrass”. Kimmerer is asked by her college advisor why she wants to study botany. She tells him she is hoping to learn “about why asters and goldenrod looked so beautiful together”. Her advisor is appalled. To him, the beauty of a field of flowers has no place in science.
I could have told her, as her artist friends later did, about complementary colors. But I did not know, as she learned in her further studies, that the eyes of bees, like those of humans, are naturally attracted to complementary colors. I looked up butterflies and their vision, too, is similarly color sensitive. When asters and goldenrod grow together, they complement each other in more than color—they attract more pollinators. Plants need pollinators to reproduce.
The combination of purple and yellow is part of the ecosystem.
It seems that beauty is indeed a necessity for life.
which came first– the delicate wings or the seed?
Colleen’s Tanka Tuesday prompt this week was a photo chosen and taken by Lisa Smith Nelson, above.