focus on the wheel– bright star calls for the moonshot embellished with birds
Sanaa at dVerse introduced us to minimalist photography and Glenn A. Buttkus’s site “South Sound Minimalist Photos.” She offered 12 photos to choose to respond to, and I chose the one below.
I couldn’t resist consulting with the collage box oracle, and creating a piece of junk mail art on the back of one of the hundreds of flyers I’ve received in the mail for the NYC primary for mayor. I hope you don’t mind my loose interpretation Glenn!
You can see see more of Glenn’s wonderful photos here.
Sailing in potions. The aftermath transformed from apparition into gold. Navigating in the middle of above and below, breath and fire.
How to make a path through the shoreless sea. How to find what was left behind on its phantom boundaries.
Coiled and enclosed by emotions that have no name. Entangled in a web of circumstance.
To be alive is always a risk.
Who acknowledges your vulnerabilites? What are the objects of your devotion? When will your unknowable secrets be revealed? Where is the entrance to the far side of the darkest extremity?
Why? and why not?
We too are ensnared, following your edges into a maze of decay. We are unable to meet your gaze until it’s too late. We always search for you beyond the point of no return.
All those ghoststones, weighed down by too many betrayals. The intersection of desire and fear that paralyzes completion. The piercing shards of the broken mirror.
The spiral grows tighter, less controlled. The waves isolate and discard. The horizon is lost, the voices drowned in a desperate merging of man and beast. Which one remains after the inevitable inferno?
The distance between was always an illusion.
Last month Visual Verse had a very intriguing image, with a serpent like creature, as its ekphrastic prompt. Even before I wrote a response, I wanted to do a visual response as well. You can see the original image and the published responses here.
My prose poem wasn’t chosen for publication, but I finally made my collage and revised the text a bit for Tricia Sankey’s dVerse prompt exploring risk.
you drift along, along and along, without wind or sea– can you see yourself moving? or is everything drifting? is it all doldrums, your mind sailing on doldrums, on emptiness, what is no longer there—was anything ever there?
you long to immerse yourself, to immerse your body in the sea, the primal waters of the sea– to float and forget, to dive and immerse yourself in life’s womb, to close your eyes, to shrink, becoming a stone waiting to be cast and skipped rippling back to where you belong—
where do you belong?
you drift along…
Laura at dVerse has us repeating ourselves. Not difficult for me, as my mind likes to travel back and forth and revisit what it has already said before.
It’s a robin, I think, as the melody enters my consciousness through the window. But then it morphs into a litany of birds from cardinal to crow. There may even have been a frog thrown in for good measure.
I can’t locate the bird to see who is gifting me with its repertoire of local wildlife sounds. It could be a starling—I once lived in an apartment where the local starlings would sit on the roof railing next door every morning and tell me all they knew. But there are also plenty of both mockingbirds and catbirds hanging around.
city fades a sanctuary feathered skies
A meditation on sanctuary for earthweal. Also linking to dVerse OLN, hosted by MsJadeLi.
Carapace— who speaks?—carapace— dream landscape indigo blue paths going from nowhere into nowhere else.
A shelter?– a support?–cosmic tree growing up and up with turtles all the way down to infinity…
Sarah at dVerse asks us to consider the word blue. I did have a dream with a disembodied voice repeating “carapace”, and used it as inspiration for the shells I painted for the Kick-About prompt “Museum Wormarianum”. The dream was saturated in blues.
Both Nina and I have painted and drawn and photographed turtles and tortoises many times at memadtwo. They are wonderful–and need I say? endangered–creatures, believed by some cultures to hold the earth, and all life, on their backs.
And here’s some classic blues performed by the Turtle Island String Quartet.
a handless glove, a stone visage. A blue orb planted with life. Dust seeds blown by cosmic winds.
Look backward to see the future. Ruins of visions. Monumental doors to nowhere. The detritus of humanity. Is this all that we wish to leave behind?
The Kick-About prompt for this week is de Chirico’s enigmatic painting “The Song of Love”, above. The collage I did evolved from a lot of other ideas, merging with Merril’s quadrille prompt at dVerse to use the word seed, and Brendan’s prompt at earthweal to write Songs of the Earth Shaman.
2 A Meditation or Maybe a Prayer
for those who ask and those who don’t answer. For those who always make way and those who have never been found. For what we know and refuse to acknowledge. For what stands in the center of what we think we believe. For what remains when faith has fallen apart. For the times that we begin again and the times that seem to have no ending. For what we hold against others and what we keep to ourselves. For the impossible and the improbable and all the borders we draw to keep from finding out.
Listen. I am waiting for you to come home.
I needed to consider this seemingly unsolvable riddle that is human life on earth from more than one side.
Why do you ask me where we are? I lost my bearings long ago. Each day is different, and yet very much like all that have been or will be, amen. You ask me for maps, for calculations, but why not shower the world with devotion?
~and why should we not sing~
celebrating what is here and now but also what leaves and then returns? Every story continues beyond its ending. Why not follow it around? Why not grow wings, meet each day without imprisoning it in either space or time?
The NaPoWriMo prompt today is to write a poem that poses a series of questions. Since the majority of my poems ask questions, I also incorporated Merril’s dVerse prompt to write a puente.
will those still waters fail to depart after all? this center—in my ignorance– drops me in amidst a multitude of mirrors– will I drift away before even beginning to move beyond uncertainty? mind closed, immobilized by the guilt of experience, held captive by that which always leads back to this
I used Lucille Clifton’s “blessing the boats” for the Day 5 NaPoWriMo prompt, and decided to revisit the poem for the April 6 dVerse prompt from Jade (Lisa) to choose one of your favorite poems by another poet and flip the meaning on it. I’ve been working on this on and off for awhile–it’s far different than my original attempt, and probably not finished still.
I’ve done similar exercises in the past, but never tried to be so literally opposite. It’s not easy.
NYC was in serious decline in the 70s–hence the famous headline, from 1975, below. Everything was falling apart, and there were vacant lots and abandoned properties everywhere.
Organizations like GrowNYC, Greenthumb, and OasisNYC began to foster community gardens in abandoned lots, renovated by volunteers from the surrounding area. Today there are nearly 600 such gardens in the city–everywhere you walk, you’ll stumble upon one. Managed by neighborhood residents, they grow all kinds of things, both edible and simply beautiful. They foster new and experienced gardeners, young and old. They sponsor art displays and performances, and act as community centers.
I used Bjorn’s prompt, at dVerse, to compose my poem for Earth Day in Anapestic Tetrameter.