composted

always digging deeper–
roots that grow below, restore–
listening through decay beyond stillness,

a place that is neither
dark nor light, yet full, aware,
gathered germinating into witness,

distilled light casting words
that linger as counterpart–
revealing mysteries in all that is

held on the wings of birds,
circulated through the heart,
absorbed into the spiraling axis

It’s poet’s choice of form at Colleen’s Tanka Tuesday, and how could I resist a syllabic form called “kerf”? I meant this also to be for the earthweal challenge this week, earthcraft, but obviously did not finish it in time.

Once again, art from the archives.

Oasis

It’s a robin, I think, as the melody enters my consciousness through the window.  But then it morphs into a litany of birds from cardinal to crow.  There may even have been a frog thrown in for good measure.

I can’t locate the bird to see who is gifting me with its repertoire of local wildlife sounds.  It could be a starling—I once lived in an apartment where the local starlings would sit on the roof railing next door every morning and tell me all they knew.  But there are also plenty of both mockingbirds and catbirds hanging around.

city fades
a sanctuary
feathered skies

A meditation on sanctuary for earthweal. Also linking to dVerse OLN, hosted by MsJadeLi.

nevertheless

The Oracle was obviously missing the birdlings.

ghosts linger as dark stars
dazzled holes of lost time

ask the angels how to remember
flying the sky
melting color like sacred fire
dancing with air

if we sail our breath
with wild naked eyes
vast and opened into listening

who will we become?

Also linking to earthweal open link weekend.

hither

I can almost hear them
echoed
on repeat through my bones
spiralled
gifts collected in the overlap of
landsea
the fluid movement that follows
after
what hasn’t happened yet
cleansing

sheer sound waves etched in side winds
calling
I can see them sometimes—doubled
visions
currents vibrating against a blurred sky
gyring
like the shadow of a raptor glimpsed
briefly
between the singing of reflected light
sailed whole

In my mind the Prospect Cottage prompt from the Kick-About, below, intersected with the Otherworld of Brendan’s earthweal prompt and then merged with my shells, collected over years of visits to the ocean. The shore is where I lose myself and meet “Not Here” and Prospect Cottage felt like it was a portal into that suspension of the normal framing of time and space. “Like landing on the moon,” as the narrator said.

Most of my shells are still in storage, but I’ve carried some weathered whelks along with each move I’ve made, both to look at and draw. The spirals sing, and bring the sea to me. I drew three of them from different angles on the same page–first pencil, then colored pencil, then with a brush in gouache.

I decided to add grounds. It’s not always easy to tell when you’ve gone too far, but I think I definitely did so with the colored pencils. I may take an eraser to the ground to fade it so the shells don’t get so lost. I was trying to capture the garden of Prospect Cottage.

The pencil drawing was impossible to photograph well, but I like the weathered effect. I wrote words around and connecting the shells, which you can see better in the close up. These are quotes from the video interspersed with my own observations. This one has exactly the feeling I wanted, of secret messages, indecipherable voices on the wind.

The painted shells–it felt so good to get my gouache out of storage and paint with it again!–captures the colors I was feeling from both prompts–a sense both of otherness and belonging, of being just exactly in the right place without time.

The Song of Love 1 and 2

1 Here

a handless glove, a stone
visage.  A blue orb
planted with life.  Dust
seeds blown by
cosmic winds.

Look backward to see
the future.  Ruins
of visions.  Monumental
doors to nowhere.
The detritus of humanity.
Is this all
that we wish
to leave behind?

Canto d amore - Song of love - Giorgio De Chirico - 1914

The Kick-About prompt for this week is de Chirico’s enigmatic painting “The Song of Love”, above. The collage I did evolved from a lot of other ideas, merging with Merril’s quadrille prompt at dVerse to use the word seed, and Brendan’s prompt at earthweal to write Songs of the Earth Shaman.

2  A Meditation or Maybe a Prayer

for those who ask and those
who don’t answer.  For those
who always make way and those
who have never been found.
For what we know and refuse
to acknowledge.  For what
stands in the center of what
we think we believe.  For what
remains when faith has fallen
apart.  For the times that we
begin again and the times
that seem to have no ending.
For what we hold against
others and what we keep
to ourselves.  For the impossible
and the improbable and all
the borders we draw to keep
from finding out.

Listen.  I am
waiting for you
to come home.

I needed to consider this seemingly unsolvable riddle that is human life on earth from more than one side.

Approaching Beltane

What is?
Why not say blue
mirror, say deep well–
Why not say sun
light, say bright fire?

Dancing circles
into braided beginnings,
the meeting of earth and air

Weaving flowers
to welcome back
the missing and missed

Swallowing the past,
planting the future–
doing and being both—

Balancing the between
to expand
in both directions

What is?
Why not say moment
of birth, say the point when
life begins, say spirit,
breath, embodiment?

What is?
Why not say the pivot
of is and is not?

Sarah has given us the inspiration of Beltrane at earthweal this week. Whatever you choose to write about, remember that this is a celebration, of new life, of love and of the endless bounty of this planet.

Grow NYC

On the run, in retreat,
empty lots, dirty streets–
take the land, make it green–
thumbs and hearts, community.

Food to eat, flowers, herbs,
trees with branches full of birds–
an oasis filled with life–
lost then found, death defied.

I’ve been thinking about the earthweal challenge for Earth Day–what postitive steps have been taken locally to improve the environment?

NYC was in serious decline in the 70s–hence the famous headline, from 1975, below. Everything was falling apart, and there were vacant lots and abandoned properties everywhere.

Ford new york city drop dead

Organizations like GrowNYC, Greenthumb, and OasisNYC began to foster community gardens in abandoned lots, renovated by volunteers from the surrounding area. Today there are nearly 600 such gardens in the city–everywhere you walk, you’ll stumble upon one. Managed by neighborhood residents, they grow all kinds of things, both edible and simply beautiful. They foster new and experienced gardeners, young and old. They sponsor art displays and performances, and act as community centers.

I used Bjorn’s prompt, at dVerse, to compose my poem for Earth Day in Anapestic Tetrameter.

how to breathe

The Oracle responded immediately to the NaPoWriMo day 17 prompt of the moon. And who could blame her? It’s always a good subject for a poem, in this case, a Badger’s Hexastitch.

moonsongs
treeroot between
the ancient wanderings
of night—follow secret
animal paths
earth deep

Also linking to earthweal open link weekend.

On Rambling/City Streets

Under concrete still lies the earth.
Am I bridged?  Do I travel on or over?
The air takes my thoughts and plays with them,
embroiders them, suspends them between.

Am I bridged?  do I travel on or over?
My fingers want to hold the windwhispers–
embroider them, suspend them between
the bare branches of the trees.

My fingers want to hold the windwhispers
that touch the moon on her journey
through the bare branches of the trees
into the fullness of the reflected light.

I want to touch the moon on her journey.
My own face is shadowed with uncertainty,
backlit by the fullness of reflected light.
My own hands are empty, unthreaded.

My own face is shadowed with uncertainty,
a landscape I too often inhabit.
My own hands are empty, unthreaded.
I keep trying to rearrange what isn’t there–

a landscape I too often inhabit.
I look for birds.  I want to ask them their secrets.
I keep trying to rearrange what isn’t there–
how to be someone that is also everything.

I look for birds.  I want to ask them their secrets.
How to dance across the invisible threads.
How to be someone that is also everything,
crisscrossing land sea sky stars.

How to dance across the invisible threads
that hold both concrete and earth,
crosscrossing land sea sky stars–
(the air takes my thoughts and plays with them)

This pantoum is definitely a work in progress. For NaPoWriMo day 15, and the earthweal weekly challenge: Toward an Ecopoetry.

Also linking to dVerse OLN, hosted by Sanaa.