embryonic

she constructed herself out of symbols–
wings of air, pearls of fire and water,
darkness flowing through light on
foliage ships sailing empyrean tides—

wings of air, pearls of fire and water,
cast like a talisman amid waves of
foliage ships sailing empyrean tides–
stars swimming through sea and sky

cast like a talisman amid waves of
vast infinite whispers—blooming, listening to
stars swimming through sea and sky–
shapeshifting in cosmic reflection

of vast infinite whispers—blooming, listening to
the chimeric form of quintessence
shapeshifting in cosmic reflection–
the wheel turns through moons, dancing,

a chimeric form of quintessence,
crossing the rainbow bridge of between–
the wheel turns through moons, dancing–
female, fertile, fiercely bathed in blood—

crossing the rainbow bridge of between,
like darkness flowing through light–
female, fertile, fiercely bathed in blood–
she constructed herself out of symbols

Another pantoum, for earthweal where Brendan asks us to consider how we can fit well into the land–how do history and mystery intersect?

navigations

superimposed lines–
pick them up, examine
the landscapes beneath,

follow the intersections–
the map of bodyworn years

I chose the theme for Colleen’s #Tanka Tuesday prompt #192, Maps, but did not get a chance to post my response. When I pulled it out to look at it this morning it took awhile to remember my creative process.

I wanted to use a map of NYC and a self-portrait and layer them somehow. I had seen a layered piece of art that used holes cut in the top layer which I liked. The challenge was to make the holes work with the portrait underneath.

As usual, I managed to take off a few years from my face in my drawing, but otherwise I think it’s a pretty good likeness. Our faces contain many maps, but sometimes you have to look closely to see them.