Marinating

I am aged, but still raw, uncooked, unfinished.  I steep myself in cinnamon, ginger, nutmeg, preparing for winter.  But still I fail to render more than a rough uncertain embodiment of what will satiate my continued thirst.  For what?  With what mural of flavor do I wish to paint the days, the seasons, the years?

I never expected to find the perfect recipe—only to be somewhat clarified.  Not cured, but blended into the essences of a Tuscan sunset, infused with the richness of the bouquet of approaching night.

waiting for the moon–
new, it opens the cosmos–
full, it whispers “time”

A haibun for Merril’s dVerse prompt of spices. The grids are from a 100-day project I did in 2015 combining colors and grids. In my final post for the project, I included some quotes from poet Sara C. Harwell. This one seems eerily prescient of what I wrote today.

It looks like a painting by someone I can’t remember.  How have I reached the point, is it age?
When the sky resembles a painting more than the sky?

–Sarah C. Harwell, “Cloud Cover”

night whispers

My message this morning from the Oracle, with some moon photos. Taking a photo through a window often results in interesting reflections.

These two photos were taken a few minutes apart as the moon was setting in the very early morning. I have no idea what that blue light is.

beneath the language of the wind
sings the shadowed sky–
sea dreams in need of moonshine

show me the ship that lights
the way through this timestorm

she said

who will sit with me after
and recall how and why
we fiddled away our garden
with the honeyed music of lies?

the how of why

I expected something much darker from the Oracle this morning but she knows I’ve been watching the moon.

be full of this
always moon

never let dawn
fall through air unwalked

every path comes and leaves
between earthlight songs–
deep ancient nights rooted in following
the seasons of birdgrown afterdays

ask why and
if

Photos taken from midnight to this morning.

false storm

I tried to photograph the lightning–
the flash between the layers of sky—

(no thunder)

clouds streaming over the moon

how many miles distant?–
far away, too far away to hear—
a silent film that eluded my camera

so I let it go and let it shine
in bursts through the window
into and through my eyes

the color was salmon, maybe
yellow, maybe pink—a pastel
shimmering against the dark

eventually the moon disappeared
behind the false storm,
and only the city lights glowed–tiny
squares of refuge against the night

For this week’s challenge, Brendan at earthweal asks us to interrupt our usual programming with flashes and booms of this extraordinary power. Lightning falls: what are we going to make of that?

Night Magic

If I could see horizon’s light at first dawn,
Venus would greet me shining up the rising
sun.  But I live in darkness, almost-full moon
suffused with secrets, luminous, surprising
me–reflecting through my window, later, soon–
casting shadowed leaves that shift, mesmerizing,
absorbed in Van Morrison’s musical dance–
hazy as to borderlines, transformed, entranced.
Perhaps Diana orbits inside my dreams–
I almost catch her in the wavering beams–
and following the fragments, drift—caught between.

An eleventh power poem for the prompt offered by Grace for the dVerse 11th anniversary celebration, also in answer to this week’s W3 challenge, a response to Steven S. Wallace and his poem “Oh Luna” that contains three proper nouns.

It’s not October, but we can still dance.

animated

I fold my
questions into cranes
and send them
flying on
the wind—what hands will catch them,
pull them down, greet them,

unjumble
and complete their dreams?
wide, deep, clear,
cast to sky,
they celebrate–streams of stars
danced in waves of moon

A shadorma quadrille for Merril’s prompt of celebration at dVerse. I also used the words she generated from Oracle II. Above is the almost-full moon shining through my window last night.

nightsong

A peaceful message from the Oracle this week. Even with some strange dreams, and the moon waking me, I’ve been sleeping well.

could I rest here
beneath the quiet dusk
let nightsong in

walk along ancient rivers
know the the intuition of trees
feel every growing thing

as earth follows
its rooted moonpath
into the birdlight of dawn

avigation, or: how else to touch the sky?

moon appears as reflection–
sun mirrored into night
but brighter, closer

and how far is far away?–
forever, sometimes, as if
never were always the answer
to the question of when

third eye digs deeper,
dreamclosing the distance, the interval
between asleep and wings

It was cloudy when the moon was eclipsing last night, but later on it cleared into mist, and woke me up, as it is wont to do–the top photo is how it looked through my bedroom window about 3am. And above is a close up. The mist allowed me to get some detail–when it’s very clear all that shows up in photos is an intense light.

A quadrille using the word sleep for Sarah at dVerse. I’ve borrowed the dual title idea from David at The Skeptic’s Kaddish–I ran across the word avigation (it means aerial navigation) recently, and I’ve been wanting to use it for something ever since.

The moon was misty last week too.

rising

My message from the Oracle. The almost-full moon woke me again last night. And at dawn–robin, blue jay, mockingbird, cardinal, mourning dove, crow–they are still here.

birds grow quiet
as
the spirit wanders
between why
and the ancient moon
that wakes me
shining through this season
of night

I ask dawn for song
listen
as dark becomes light

Another one of my Redon-inspired collages, and some birdlings from the archives.