Ossified

fold/transform/mold–
sunny April
afternoon, now
cold, shivered, closed

part of the heart
on the edge of
your atmosphere
not weeping but

paused in because
disillusioned–
tiny box of
lies and last straws—

hard tuneless chord–
this life in a
bottle—unsung,
wordless, cleft, scarred

I wanted to do Punam’s music prompt earlier this week, but I always have trouble making random song titles sound natural in a poem. I was also intrigued by Sangeetha’s DoReMiDo nonce form on Muri’s April Scavenger Hunt list, but uncertain how to make it work. My solution was to attempt to combine the two.

I did slant the rhymes, but managed to merge both into a somewhat coherent form, incorporating one song title into the middle of each stanza of the poem. This week’s Random Word List also helped out.

For dVerse OLN, hosted by Grace, and NaPoWriMo–two days to go!

This is the music under my embroidery, above.

Reckoning

My thoughts adrift, my mind at sea
   hydra serpent kraken dragon narwhal
the shadowed edges capsize me
   hydra serpent kraken dragon narwhal
   mermaid siren selkie
   hydra serpent kraken dragon narwhal

The voices of vast oceans crest
inside me, giving me no rest–
I try to keep the center line
but sink beneath the murky brine

The ropes entangle me, entwine
   hydra serpent kraken dragon narwhal
I cannot make my tides align
   hydra serpent kraken dragon narwhal
   mermaid siren selkie
   hydra serpent kraken dragon narwhal

I try to keep the center line
while searching windward for a sign–
The dead zones keep engulfing me
I find no headway in this sea

At last I float and fight no more
   hydra serpent kraken dragon narwhal
Let moontides guide me to the shore
   hydra serpent kraken dragon narwhal
   mermaid siren selkie
   hydra serpent kraken dragon narwhal

The NaPoWriMo prompt today was to write a sea shanty. I’ve used “Blood Red Roses” as my inspiration.

WORLD LEADERS DECLARE AN END TO WAR

Armies To Be Disbanded, All Weapons Destroyed

Yesterday the earth’s nations signed an agreement to end armed conflict between any and all of its peoples.  There was dancing in the streets as all over the world people joined hands in unity and sang about love trains and peace trains and harmony echoing through the land and into every human heart.

Handmade signs spoke in multiple languages waving above the crowds:  “People Have The Power!”, “I Ain’t Marchin’ Anymore”, “War Is Not The Answer”, “We Are All Human”, “Nothing Funny Bout Peace!”, “Study War No More”, “Get Together”, “We CAN Change the World!”, and the simple and ubiquitous “Imagine”.

The assembly spoke in a single voice as the papers were signed:  Amen.

Selma’s W3 Prompt this week was to “Write a ‘prose poem’ in the form of a news article you wish would come out tomorrow”. Yoko Ono took out ads in the NY Times on John’s birthday for a number of years promoting an end to war, and a few years ago when I was doing my “headline haiku” series on altered pages from the newspaper I used some of them for my art. So it seemed a natural subject to choose for my news story.

…with thanks for words of inspiration to Martha and the Vandellas, The O’Jays, Cat Stevens, Nanci Griffith, Patti Smith, Phil Ochs, Marvin Gaye, Anti-Flag, Nick Lowe, Pete Seeger, The Youngbloods, Crosby Stills and Nash, and John Lennon

be the asking

My message this morning from the Oracle. My dream last night included lots of children–laughing, singing, and telling each other stories.

when the universe was young
born from color
and rhythm-kissed voices
singing open with ferocious joy

sacred fools danced into always
flying like cloud ghosts
dazzled with star magic

who lost the way to eternity
the secrets of sailing ocean skies
the heartbreath of how we are?

River Man

She did not remember the way, but she remembered the times, the place.  She wanted to connect present to past.  She did not know how or where to begin, and yet she needed to try to construct that bridge.  Words were all she had now.

Two ways, really, even though she always pretended they were the same.  Or maybe it was only her longing that failed to understand that they were two, not one.

She had been dreaming of a river.  A man, a boat.  Trees, weeping, or was that her own voice, crying on the wind?  It had been summer once.  Flowered.  Sweet.

But here was the river again, littered with fallen leaves.  What magic word would turn back the seasons, dispel the haze, repair a lifetime that had already disintegrated into dust?

Was she coming or going?  In her dreams a voice kept repeating you have to choose.  But between what?  Who?  Did she get to choose who would be waiting on the other side of the river?  Or was she to be the one left waiting?

to begin,
become the current–
sing its song

Brendan at earthweal has more to say about rivers this week and poses the question: What voyages are found there, which deities are vast in its depths? It made me think of my response to the Kick-About #61 prompt, which was Molly Drake’s haunting song, “I Remember”.

I wasn’t aware of Molly’s connection to Nick Drake, but when I learned that she was his mother, Molly’s song immediately made me think of Nick’s song “River Man”. I took the feeling I got from both songs–a kind of remembering intertwined with uncertainty, loss, and the passing of time–and wrote the above prose poem, adding a haiku coda for earthweal, and some water art from my archives.

in tandem 1 and 2 (Earth Day 2022)

when you leave yourself behind,
where do you go?–
clouds a shimmering path

blue like a robin’s egg–
this liquid sky, darkening into shadow–
when you leave yourself behind

does the mirror look back
like a lake regarding the sky?
where do you go?

do fish see themselves in the stars?
do birds ride feathered waves?–
clouds a shimmering path

The prompt for NaPoWriMo today was to write a poem that uses repetition. That prompt was made for me. I had been working on and off all week for a poem for Sherry’s prompt at earthweal, to write from that place of holding onto wildness of soul. I thought that today, Earth Day, would be the time to post it.

So I took my ideas and made a cascade, but there were ideas left over, so I did a pantoum too. You can never have too much repetition in my poetry world.

when you leave yourself behind
(clouds a shimmering path)
where do you go?–
windsong the surface

clouds a shimmering path,
the lake regarding the sky–
windsong the surface
displaced by light

the lake regarding the sky–
as it hues the reflection
displaced by light,
does the mirror look back?

as the earth hues reflection,
do fish see themselves in the stars?
does the mirror look back
when birds ride feathered waves?

do fish see themselves in the stars
on the remnants of moontides?
when birds ride feathered waves,
do they flow into calligraphy?

on the remnants of moontides,
where do you go?
will you flow like calligraphy,
leave yourself behind?

As I’ve noted before, I attended the first Earth Day celebration in 1970 in Washington DC. Not too much has changed since then. We can do better.

Ophelia

Lady sings
the blues,
the reds, whatever

she can find—

–Kevin Young, “Stardust”

She dreams
in the languages
of flowers,
wandering
corridors
of vast gardens
fragrant
with the chaos
inside her heart.
Lady sings

in riddles–
bouquets
of rhymes
imagining
an oasis
of roses,
an enchantment
blooming into
the mystery of
the blues.

Who will be
her lover now?
Where is
the prince
to penetrate
the thorns
enclosing
her mind?  Blood
shadowed with
the reds, whatever

her grief has
aborted  
into deceptive
darkness.  She is
muted into
madness. She is
drowning
in every aromatic
sepulcher
she can find.

The NaPoWriMo prompt for day 3 was to write a “glosa” – literally a poem that glosses, or explains, or in some way responds to another poem. The idea is to take a quatrain from a poem that you like, and then write a four-stanza poem that explains or responds to each line of the quatrain, with each of the quatrain’s four lines in turn forming the last line of each stanza.

Kevin Young is writing about Billie Holiday. Like Ophelia, she is associated with flowers, and had her own ways of drowning in her sorrows. My collage is based on a painting by Redon, who visited the subject of Ophelia many times.

I’ve incorporated roses into my poem for Muri’s poetry scavenger hunt.

Like the Lines in the Palm of Your Hand

Every question is a riddle–
we are stuck here in the middle–
borderlined.

But still we keep on asking why,
continue waiting, standing by
for guidelines.

Answers just confuse, pretending
somewhere there exists an ending–
a lifeline.

Deceiving with complexity,
embroidering with fantasy–
we’re traplined.

In silence there are many words
unspoken and more clearly heard–
sibylline.

Grace at dVerse introduced us to a new form called Compound Word Verse. Wow! this was hard. But enough revising–at a certain point you need to let it be.