painting

kinship

to belong
is a feeling–not
words over
heard in pass
ing, but a garment to wear–
it keeps you warm, this

chorus sung
by many voices–
it tells you
how to clear
your self, opening to be
come filled, become found

Sarah at dVerse shared with us once again the paintings of Fay Collins, and asked us to write to what we see in her images. I did not pick any particular landscape, but used the entirety of her work as inspiration for both my words and my watercolor, which reflect her immersion in and love of the earth.

Also linking to earthweal, where Brendan has asked us to praise what matters.

You can see the work of Fay Collins here.

Correspondences

Looking at the photo Butterfly on Asters by Lisa Smith Nelson, I’m immediately reminded of a story in Robin Wall Kimmerer’s “Braiding Sweetgrass”.  Kimmerer is asked by her college advisor why she wants to study botany.  She tells him she is hoping to learn “about why asters and goldenrod looked so beautiful together”.  Her advisor is appalled.  To him, the beauty of a field of flowers has no place in science.

I could have told her, as her artist friends later did, about complementary colors.  But I did not know, as she learned in her further studies, that the eyes of bees, like those of humans, are naturally attracted to complementary colors.  I looked up butterflies and their vision, too, is similarly color sensitive.  When asters and goldenrod grow together, they complement each other in more than color—they attract more pollinators.  Plants need pollinators to reproduce. 

The combination of purple and yellow is part of the ecosystem.

It seems that beauty is indeed a necessity for life.

which came first–
the delicate wings
or the seed?

Colleen’s Tanka Tuesday prompt this week was a photo chosen and taken by Lisa Smith Nelson, above.

Ruminations

The Oracle was philosophical this morning. Of course she was thinking about the moon, water, music, birds, trees, wind and light.

Night comes like a secret,
the moon breathing ancient air.

If I wander in deep rivers,
will the water teach me its song?

Ask birds how to behold dawn–
covering trees in poetry.

Why not listen to wind
as it seasons winter with clouds?

Who can follow light,
growing always more between?

Political Attire

The mask they wear
repeats the same cliches,
pretending to truth,
embellished with lies–
dismissing the facts
when inconvenient.  The Devil watches,
laughs with them.  He knows their true faces well.

The mask they wear
is glued to their ethos–
virtue corrupted
by perpetual
guile—whatever is
required to keep the reigns of power—a
prayer, a riot, a bargain made in Hell.

A duodora for Lisa’s prompt at dVerse, to discuss something that irritates us in the context of Halloween. I admit this goes well beyond simple irritation.

The paintings are from a series of eight I found when going through my files. They are a bit strange–I can’t remember what inspired me to do them. I was waiting for some poem that would go with them. This works.

Children of the Night

“Listen to them, the children of the night, what music they make.”
–Bram Stoker

There’s a dark path in the forest that reaches not only to the horizon but far up into the stars in the sky.  The contours float, infused inside and out by an endless melody that sings chaos into shimmering pattern.

Where does the story end?  Perhaps it leads to dreams that have been hidden away, to possibilities invisible in the light of day.  To once upon a time that becomes here and now.

If you listen–still, silent, boundaried by the night–it’s possible to catch a glimpse of these distant voices.  But only a child can find the entrance to this liminal landscape of matter, spirit, and sound.

wonder shines
silvered, transcendent–
opening

The Kick-About prompt this week was the quote from Dracula, above. These monoprint paintings were a response to that.

The road from Samhain to vampire costumes for Halloween travels through the pop culturization of every holiday we celebrate for commercial purposes. But that does not completely disguise its real roots in the transition from fall to winter and the crossing over that occurs between the worlds of the living and the dead.

It’s fitting that we have turned Samhain into a children’s festival–we can join in for their sake, hidden behind masks, remaining rational adults while keeping a thread tied to our ancient rites of passage.

Children are our conduit to what we are ashamed to acknowledge. They remain close to the Other Worlds–they still believe completely in magic.

For earthweal, where Sarah has asked us to think about Samhain and celebrate the places that lie between.

translational

listen to the sound of air–
filling the distance,
tiny continuous hums–
whispers weaving nets,
forming a loose cocoon un
seen, awash, present–
between silences singing–
distilled reflection

Brendan at earthweal this week asks us to “describe an enchanted moment”. Neither words nor images seem adequate for the sound of air, but I attempted it anyway. It doesn’t happen all the time, but sometimes when I meditate everything else fades away and I can hear the air. Most often it sounds like the image above.

But sometimes it has more clarity.

And in rare moments, it takes colors into the layers of movement.

The images were created by taking some of the art from one of my Kick-About responses to a film about light and applying Photoshop filters. I’ll get around to posting the originals at some point.

October

The Oracle is feeling the chill in the air. This morning is grey and cooler than recent days.

The collage is another piece of art I found while cleaning. Painted and ripped rice paper–I guess I didn’t like the original watercolors. I don’t remember it at all.

wind rustles secrets through trees–
how my roots long for
a blanket with leaves seeded
by a moon garden

every season asks us why
we follow the same
path of lonely wandering
instead of singing