around repeatedly

around repeatedly s

Wherein lies the origin of mystery?
Does any story have an ending
and can any name the place
where all stories begin?

All stories are branches
of The One Story, a circle
retreating and returning
reversing and rewinding
retracing and redirecting
repeating and renewing.
Each sentence orbits and spirals
inside and out again.

Where is the place between
before and after?  Is there
even a way to find
the location of no before?

around close up s

I spiraled off a bit myself from the dVerse prompt from Merril, revolution.  Blame it on the heat.

 

Summer Meadow

summer meadow close up s

visions of windsong–
waves play currents of magic
painting textured light

Inspired by the photos of Phil Gomm, I tried to recreate one of his beautiful fields.  I will need to explore this further, and of course, as always, I think it needs some stitching.  (I’ll add that in my spare time…)

summer meadow s

For Trank Tassone’s #haikai challenge #148 summer meadow.

It’s so unbearably hot here, it’s hard to find much motivation.  Con Ed keeps calling to warn me the power might go off due to everyone overloading the grid by using their air conditioners.  (I have open windows and 3 fans.)  They are promising us a break on Friday.

borderlands

borderlands 1s

time
distills
into the
slow motion of
half-forgotten hours–
astral sunsets emerge
inside the dense dazzled air–
waiting to join the fading light
that veils the edge between earth and sky

A nonet for Sue Vincent’s photo prompt, above, and Colleen’s #tanka Tuesday, with synonyms for blessed and hex, provided by Anita Dawes.

borderlands 2s

I did two  rorschach paintings which turned out slightly different.

wings 2s

But somehow I always end up with wings.

wings 1s

 

Graveyards

painted skull comp

Where do we bury the words
we didn’t say, our silent
protests—do they die
with our bodies, encased
in the skull, still afraid to move
the hand, the jaw bone?

Regret is relentless–
thoughts become blurred,
bordering madness and crossing
into the places where nothing
connects, nothing fits,
everything rests only in disease.

We try to hard to reverse
time, spinning wheels
in a landscape of quicksand–
in a landscape of chasms
that open like cut veins
spilling every trace of life.

The sky has already fallen,
abandoned even by
the phantoms of what was left
undone—this place is beyond
haunting–subtract everything
you thought you knew.

Add it to the ending.

painted skull don't look comp

Some old paintings and a new poem for earthweal’s weekly challenge, shifting baselines.

reversal

reversal 3s

to recur,
move further away–
becoming
mote covered
constellated skies, stories
embroidered in blue

darkness fades
into emergence–
the tides of
return shaped
by manifestations of
ghost ships left unsailed

indigo
currents bridged between
symbol and
spirit—each
helix twisted round itself–
doubled, multiplied

reversal 2s

For dVerse, a blue quadrille, hosted by Kim.  The art is composed of two different painting experiments that accidentally fell on top of each other–I photographed them in a bunch of different ways, and added the blue with Photoshop.

reversal 1s

wild iris

spirits wander collage

bending air, a bridge–
rampant hues filling the gap
between heaven and earth

iris ink and pencil comp

For Frank Tassone’s #haikai challenge #145, wild iris.  I had promised Jade I would look for some of my old iris drawings, but I also found this rainbow spirit that somehow resembles an iris–Iris is the Greek rainbow goddess, messenger and link between mortal and deity.

iris colored pencil comp

The drawings are from one of my many abandoned projects, taking a journal from 1989, and doing something similar (at that time in 2015) and comparing them.  1989 is on the left, 2015 is on the right.  If I could buy a bouquet, I would try it again right now, as both  were done from live flowers.  Maybe next year.

on the sands of time

on the sands s

on the sands of time

A found poem from Longfellow’s “A Psalm of Life”, the theme suggested by Pat R. for Colleen’s Tanka Tuesday.  I’ve constructed a shadorma with the help of the Collage Oracle.

“…Lives of great men all remind us
   We can make our lives sublime,
And, departing, leave behind us
   Footprints on the sands of time…”

on the sands close up s

be not like
time—fleeting, mournful,
pursuing
fate—within
each bivouac is a dream–
heart sailing the soul

and it shall come to pass

selkie whit 2s

and who am I and what is he?
and how will I keep this unborn child?
are we not all changelings?

we dwell half in night’s shades,
half in sun dappled waters–
and who am I and what is he?

far away in ancient song,
and never and always, becoming three–
and how will I keep this unborn child?

green earth or deep green sea–
our very being vibrates between–
are we not all changelings?

selkie close up s

A cascade poem for dVerse, where De has us considering sea people.  I’ve used the Child Ballad, The Great Silkie of Sule Skerry, as inspiration.  The artwork was done for a previous poem on the same subject.

There are so many beautiful versions of this song.  It has been recorded by Joan Baez, Judy Collins, Maddy Prior, June Tabor, Roger McGuinn and Solas among others.  Below are  2 very different recordings, by Steeleye Span, and Port.