just like that/either way

more
and more
crow-
ded in-
to less and
less—un-
fold-
ed and
folded a-
gain each new day–
do I need
to know
who
I am?
words scatter
like air–
gone,
disa-
ppeared

David at the skeptic’s kaddish introduced me to the waltz wave, an poetry form that asks you to separate the syllables for some of your words. I like to do this, especially in shadorma.

I found it to be a challenge, especially to find the right subject matter for this kind of verse. In the end I wrote two, both of which seemed to go well with an old collage I had done which was based on a painting by Redon.

do
dreams fly
or
tunnel?
flow or stun?
spiral
to
the cen-
ter or spin
out to the far-
thest away?
will they
em-
brace or
turn around?
para-
llel
or de-
part?

For Colleen’s #Tanka Tuesday, poet’s choice.

Also linking to dVerse OLN, hosted by Mish.

Poem up at The Ekphrastic Review

salome s

My poem “personifications” is posted along with the others selected for the challenge artwork “Salome” by Henri Regnault on The Ekphrastic Review today.

Regnault’s piece is well known but not typical of artists’ interpretations of the Biblical story (which has been altered in our consciousness by time and retelling also).  Most painters choose to show either the dance, perhaps accompanied by a disembodied head, or a close up of a woman with a head on a platter.  Here we have a woman, sitting, with a platter and a sword but no head.  Is it supposed to be empowerment?

salome top s

My collage, too, follows neither common narrative.  I knew I had a dark female figure in the collage box that I wanted to use, and in the search for her I pulled out other elements that seemed to fit with her and my poem.

salome bottom s

I always thought the story of Salome was just another example of humans refusing to take responsibility for their own actions and desires.  None of the behavior, certainly, merits imitation.  Blind obedience is just as bad as passing the buck (see: current world “leaders” and their followers…)

Once again, thanks to Review editor Lorette C. Luzajic for selecting my poem and supporting the call and response of poetry and art.  You can read all the poetry and see the original artwork here.

I also really like Redon’s Salome, below.

salome redon