Haibun for a Reluctant Spring

The day is grey and I am swept along its ways.  Dense, impenetrable, uncertain.

And yet here is the sparrow tree.  It sings out in tangled branches of song, in a chaotic chorus with no melody but infinite cheer.

The path continues with a chill bleakness.  Robins and starlings bathe in puddles of mud.  A sudden startle of dog and wings open, rise.

The wind is relentless.  I regret dressing as if it were spring, as if winter had actually said its final farewell and relinquished its place on the wheel.  My hands dig deeper into my pockets.

Despite the lack of sun, grackles sparkle in the grass.  They watch me—curious?  wary?  amused?—as I stop to take them in.

I have a destination so I turn and travel east.  Blue jays echo my movements in a stop-and-start carousel of cries.  The moist air clings to my face.

emptying my thoughts
to make leeway for feathers–
invisible, light

Frank at dVerse asked for a haibun including the birdsongs of spring. A perfect time to bring out the birdlings.

Also linking to earthweal, where Brendan asks us to consider what serves as a commons for where we live. I would argue that every street in NYC is a commons, but the parks, especially, serve as a place where human and non-human intersect. My haibun is based on several recent walks through Central Park. Birds are everywhere (even in winter). But of course more of them and louder in spring.

under the new moon

cherry blossoms s

The day is dreary and cold.  A passing subway train, nearly empty, rattles the window as I remove the screen.  A few black umbrellas walk by.

The apartments on the opposite side of my building look out on the river and the park.  I wonder if they see signs of spring emerging through the grey blur of the rain.

cloudburst
blossoms fill the sky
pink showers

cherry blossoms close up s

For Frank Tassone’s #haikai challenge #131, first cherry blossoms.  I did the artwork sometime last year, and saved it for spring.  The seasons will come, with or without our approval.