Of Eden, or: Paradise Lost

Once rampant with color, its fragrance long gone,
the paint has dried into textured lines–
afternoons of melodic stillness now mourned–
decorative traces lost inside frozen time.

The paint has dried into textured lines,
ringed by the noise of questions unasked–
decorative traces lost inside frozen time
bleeding destruction we haven’t yet grasped,

Ringed by the noise of questions unasked
life is tenuous, scattered, emotions removed–
bleeding destruction we haven’t yet grasped,
as over and over we bandage the wounds.

Life is tenuous, scattered, emotions removed,
following roads that only disappear–
over and over we bandage the wounds–
the darkness rises, overwhelming with fear.

Following roads that only disappear,
like the garden once bursting with growth—
the darkness rises, overwhelming with fear–
sky is silent, empty, brittle as bones

We lived in a garden bursting with growth,
afternoons of melodic stillness, now mourned–
sky is silent now, empty, brittle as bones–
once rampant with color, its fragrance long gone.

I love pantoums, but I usually don’t rhyme them, so this proved challenging to me. It still could use some revision, but I need to let it sit for awhile. Punam asked for a pantoum on the theme of abandonment for her W3 prompt this week. I had also been thinking about Sherry’s prompt at earthweal, asking us to write about all the species vanishing around us. And Colleen’s prompt for Tanka Tuesday, a painting by Monet (below), had me thinking about what we’ve lost since Monet painted all his overflowing gardens at Giverny. Will we one day only know such beauty as a digital image?

I also started out with a lot of words from this week’s Random Word Generator, but some of them dropped out during revisions.

WORLD LEADERS DECLARE AN END TO WAR

Armies To Be Disbanded, All Weapons Destroyed

Yesterday the earth’s nations signed an agreement to end armed conflict between any and all of its peoples.  There was dancing in the streets as all over the world people joined hands in unity and sang about love trains and peace trains and harmony echoing through the land and into every human heart.

Handmade signs spoke in multiple languages waving above the crowds:  “People Have The Power!”, “I Ain’t Marchin’ Anymore”, “War Is Not The Answer”, “We Are All Human”, “Nothing Funny Bout Peace!”, “Study War No More”, “Get Together”, “We CAN Change the World!”, and the simple and ubiquitous “Imagine”.

The assembly spoke in a single voice as the papers were signed:  Amen.

Selma’s W3 Prompt this week was to “Write a ‘prose poem’ in the form of a news article you wish would come out tomorrow”. Yoko Ono took out ads in the NY Times on John’s birthday for a number of years promoting an end to war, and a few years ago when I was doing my “headline haiku” series on altered pages from the newspaper I used some of them for my art. So it seemed a natural subject to choose for my news story.

…with thanks for words of inspiration to Martha and the Vandellas, The O’Jays, Cat Stevens, Nanci Griffith, Patti Smith, Phil Ochs, Marvin Gaye, Anti-Flag, Nick Lowe, Pete Seeger, The Youngbloods, Crosby Stills and Nash, and John Lennon

Seventeen

Nothing
remains, except
this quickened memory–
how brief and wondrous it was, that
first love

A cinquain for Colleen’s Tanka Tuesday, with the photo prompt above by Terri Webster Schrandt.

Frank @ Beach Walk Reflections posted this week about love. His meditations always make me think of music and I considered all the love songs I knew, and how difficult it was to capture the essence of love in words. This morning I put on Donovan’s Fairy Tale album and the first song, “Colours”, struck all the right chords, as it had when I first heard it 50 years ago, conjuring that time and space in my life when the complexities of the future did not yet exist. Ephemeral, but nonetheless still very real, even now, from this far away country where I presently reside.

diagrams

body mind time
collaborations
concealing
revealing
light line shadow surface trace
inhabitation

reshaped by
fragmented motion
like shadows
like mirrors
reflecting and following
the moon caught shining

left exposed
particles disguised
by outlines
beclouded
by time by futures eclipsed
by the dance of stars

A quadrille for dVerse, where De has provided us with the word star.

in the midst

My message this morning from the Oracle. I woke once again to clouds, but the sun is shining now.

spring winters
deep beneath the riverpath–
a dark season
thicker than dusk

did you fall moonwandering
into the long night?

or were you too bird-rooted
and windwild to see?  that
earth also breathes light–
full of treesong, growing in-between

The art is from NaPoWriMo 2018, when all my accompanying artwork was inspired by painter Joan Mitchell. I haven’t thought that far ahead this year; this April, I’ll just be visiting the archives for art I think.

Star Children

stardust embodied–
matter merely a vessel
for luminous spirit–
did you find what was lost?

the spiraling center
returned to elemental form–
in life but not of it–
stardust embodied

opening into dreamtime,
orbiting the moon,
spinning to the farthest away–
matter merely a vessel

empty spaces crossing
infinite galaxies–
wings sailing oceans
of luminous spirit

a welcoming heart, a gentle touch,
warm arms to enclose you
in peaceful sleep–
did you find what was lost?

I did these embroidered watercolors and accompanying poem for the Kick-About prompt that asked us to look at the Père Lachaise Cemetery. My response was inspired by the Jewish Children’s Memorial, below.

Today is International Holocaust Remembrance Day.

In memory of all our lost children, all those without homes. The numbers grow larger every day.

frozen

bombs are cold
explosions of bitterness
sucking the warmth
out of what remains
of possibility

bombs are greedy
machines, meant only
to destroy, burn
any seeds, annihilate
life

bombs are hungry
voracious conduits
for our worst impulses
eating our souls
from the inside out

A quadrille for dVerse, where Lisa has given us the word warm. In 2014 I did a series called “What Is It Good For?” on memadtwo. There were, as always, many conflicts in the news. Hearing this song from Buddy and Julie Miller this morning, it reminded me of the art from those posts.

It also made me think again of how cold this winter will be for the Ukrainians and so many others the world over. How short our attention span. How little we have learned.

What IS it good for–the guns, the bombs, the dying? We know the answer.

this land (the other)

but there is always another side–
the one that is in our face seems real
because we see it—the details,
the form of its existence–
but what of the side we do not see,
what of the one that looks
in a different direction?  the one not
evident, not the same?  the one
we must be careful not to leave behind?

As usual, Brendan at earthweal gave me a lot to think about in this week’s challenge post. His question–What does it meant to be open, unbounded, united and free in an enclosed world?–made me immediately think of this verse Woody Guthrie wrote in “This Land is Your Land”.

As I went walking I saw a sign there
And on the sign it said “No Trespassing”
But on the other side it didn’t say nothing
That side was made for you and me

which was the inspiration for my poem.

The late great Sharon Jones sings it like it is.

Also linking to dVerse OLN, hosted by Ingrid.

breathing

I woke up this morning thinking of Sue Vincent. The words the Oracle gave me reflect that. She must have been in my dream, although all I remember is the ending which had snow and bright yellow dogs.

The art I was drawn to when looking through the archives for something to illustrate the words was also done for Sue’s prompts.

almost like light
this dusky song
a gentle color

of secret sound
murmured by roots and rain

how to follow
through beneath beside

ask the ancient path
to walk with you

Dead Ends

My memories of my childhood, the years between ages five and eleven, are good ones.  We had moved from the city of Cleveland to the suburbs, from a 2-bedroom house where my brothers and I shared a room, to a 3-bedroom house where I had my own, if tiny, space.

But this was the 1950s suburbs—there were still fields and vacant and wooded lots.  The houses and yards were small.  The trees had not been cut down to build the houses.  Each was different.  Landscapers were not called in—yards were maintained in a casual manner.  No one owned a leaf blower or a snowblower.  We raked and shoveled and played in the leaves and snow while doing it.

Families had one car and people rotated carpooling or took Rapid Transit trains to work.  There was little traffic on our dead end street, and we often played there.  Railroad tracks stood at the dead end—we spent hours just watching the trains, counting the cars and waiting to wave at the caboose, climbing the fence and playing in the woods, fields, and streams “across the tracks”.  We walked or rode our bikes to school, to friends’ houses, to the candy store.

I recently looked at that house on Google Maps, shocked to see a bare front yard—all the oak trees had been removed.  What was once a dead end had been connected to the next street.  Gone was the Beck’s house on the hill, and Beck’s field where we played baseball in summer and ice skated in winter.  Gone was the Fleming’s double lot with its beehives, rabbit hutches, sheds, and hiding places perfect for kick-the-can.  Worst of all, “across the tracks” was now populated by warehouses, not fields and trees and the creatures that lived there.

My entire childhood had been erased.

screens the new playgrounds–
no more cloud-watching, fresh picked
berries, forts of shoveled snow—

finding a four-leaf clover
in the middle of your lawn

For earthweal, where Brendan asks us to witness the magnitude of the changes in our environments.