I had written my own poem earlier in the week, but since the anniversary of 9/11 is on a Saturday, I also consulted the Oracle. We are both feeling the shadows and the ache.
ghosted, these
ruins—shadows left
imprinted
on this day–
each returning resurrects
the ache of absence
beneath blue skies
death shows up
raining red
the day lives raw
our dreams ache
with rust and blood
language is shadowed
as if love
will never be recalled
music whispers
on the wind
through still light
More questions from the Oracle.
stars awake fireborn
breathing vast ferocious joy
into dazzled dark
where is the door of always?
who parses the voice of time?
After I post my birds on memadtwo tomorrow, I’m taking a break from the internet for a few weeks. Enjoy the rest of your summer!
my hands drawn
into lines—tensely
embracing
escaping
furtively from fear, riddled
with hesitation
erasing
beginning again
layering
accruals
disguised by repetiton
over and over
and yet not
the same these motions
these attempts
to capture
a moment streaming tracing
the outlines of time
I’ve used the image from National Geographic provided by De at dVerse as inspiration for my watercolor/quadrille using the word stream.
Also linking to earthweal, where Sarah discuss the harvest festival of Lammas and asked us to think about how we harvest and transform in our own lives.
Why must we always quantify? 4, 3, 10. Add, subtract, multiply. Divide.
My prose poem, Aggregated, based on a painting by Hilma af Klint, was among those selected as a finalist in The Ekphrastic Review Women Artists contest. You can read the entire poem and see all the finalists here. The three winning selections are here.
also linking to dVerse OLN
The Oracle got a makeover from MagneticPoetry.com. It’s going to take getting used to. I used the new “happiness” category. I can use some, after reading the news this morning.
When I saw the Oracle’s message, I immediately thought of Sun Ra, an artist of living, not just music, that my older brother introduced me to when we were teenagers. “Space is the Place” was a title he used for many different pieces of art.
I had titled these birdling collages from my archives “birdlings in space”. The birdlings make me happy no matter where they are.
where is wonder?
make time for space
alive with possibility–
between comes whispering–
soon surprise will follow
these names that have lost their origins
names that have lost their sounds
that have lost their meanings
lost meanings without references
without words words that once rolled off
the tongue rolled off the tongue
immense with meaning
with meaning now lost now
untranslatable immense and untranslatable
these names without meaning
these names belonging nowhere
belonging nowhere to no one to no one
at all invisible undernourished
undernourished and withered into invisibility
without a way a way to put sounds together
sounds that together form words
words that become names
these names that are lost
these names without scripts
without scripts or context without
the context of language a language
of mirrors mirrors now empty
mirrors that yield no answers
answers to questions questions
without context how and what and where
and why are they lost and where did they go
who knows the names the names the names
the names that have lost their meaning
For dVerse, where Bjorn has us chanting,
I am still waiting for clarity–
sometimes I think about
the things I can’t see
and I wonder how
to place them inside my mind–
Out of the dark and still
I am dreaming of colors
liquid currents of sound
moving in all directions
between the gaps–
Do our visions swim
cataracted with refractions–
flooding the invisible
barriers of the portals
into our eyes?
As I told Phil, this week’s Kick-About prompt, fundus photography, was made for my watercolor mandalas. First, photographing the inner eye naturally makes for roundness, and the liquid state calls for watercolor to represent it.
I did 4 watercolors and embroidered on 2 of them. If I exaggerated the colors a bit, well, my eye often does the same.
in between
simultaneous
transition
My poem “To Cleave” has been posted at Visual Verse. As I’ve done in the past, I’ve written a greatly distilled version, above. You can read the original poem here.
The art is my ink and neocolor interpretation of Tanya Layko’s prompt photo. I’ve been trying to do more work in my sketchbook, inspired by the journals of Aminah Brenda Lynn Robinson. I got the book “Raggin’ On”, based on an exhibition of her work, out of the library. I knew her textile work, but not her drawing and painting. She often draws freely in ink, and then paints or draws or writes over and around the drawings just as freely. What I learned most from her work was not to labor too much, to get the essence down without trying too hard. Robinson had a full and interesting life.
Above is the original drawing I did, and below is Layko’s photo.
K. 